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Aetheric Improvisations at Vermillion tonight

 Table and Chairs is Seattle’s experimental jazz label that has brought us the way out Bad Luck; the prog-power ballads of Heatwarmer, and ever changing Racer Sessions. Tonight they present to us the electronic edition of their second Wednesdays at vermillion series currated by David Balatero of Sister Girlfriend who has assemble an impressive roster of Seattle's finest improvisers. 

 Raica weaves pushy bass lines through electronic caverns, while stalac-pipe organs drip murky sounds onto the dance floor. White noise precipitates past our senses from the thick atmosphere, and light dissipates on the damp walls of our eardrums. She encourages the listener to take their time developing and evolving with her while she sets the stage for a subtle climax much like Daphne Oram’s outer explorations and the moonscapes of ‘Electronic Meditation’ –era Tangerine Dream.

 While, Mood Organ marries the electronic harps of Ash Ra and a heft of FM synth funk, (minus a hand clap), Timm Mason’s solo efforts are more akin to the dense atmospheres of Popul Vuh and other musik kosmiche of that era. Curious to see the pairing with Kaori Suzuki, who uses her own custom built synthesizers to get to frequencies we weren’t quite sure existed prior to hearing them. Her company Magic Echo Music has been producing uniquely crafted electronics for a while now. On MEM’s website Kaori reports: “We'll be using the MEM CICCS as a shared interface between the two of us. It will be part XOR logic guessing game, Rainforest-esque feedback and I don't know what else?”

 And to round out the evening is Newaxeyes; who summon glitch-hop guitar lullabies that battle against cold the machinations of sampled drum pads.  Their recent 12” release, ‘Assange/Church,’ wouldn’t be out of place in-between the post rock scriptures of Constellation records and the swagger of ‘Yesterdays New Quintet.’ Though impossible to peg and ever evolving out of chaos, Newaxeyes carve out the notch in our record collections that we’ve been waiting to be filled. Go buy it now.

 The experiments sound off at Vermillion Gallery tonight at 8PM

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Sunshine Subconscious, 'Rewrite the Pages' - Exclusive Song Premiere

Sunshine Subconscious is the progressive neo-soul child of drummer and bandleader Tommy Whiteside the IV. Taking the grit from Daptone records and the musical dexterity of Roy Ayers, I’d be surprised if everybody didn’t love this sunshine. On Rewrite the Pages, Tommy describes an existential journey through “pain and pleasure,” disarming himself to natures duality while still questioning and expressing disbelief in the laws we have been told to believe. The result is a song that lays in-between the coolness of jazz subtlety and the hostility of spiritual anarchy.

To realize his vision of utopia, Tommy has amassed an impressive cast of Cornish cats to lend their services; Bret Gardin (of Newaxeyes) makes waves as lead vocalizer, while Phinehas Nyang’Oro searches for the lost guitar chord, and Jackie Sandberg drives the songs down the dirtiest Rhodes you’ve ever been on. Together, with Tommy on the skins, the make up is a unique blend of psychedelic aesthetics and honed jazz chops. So if you ever wanted a crispier, dirtier Steely Dan or a less cynical Eugene McDaniels, then sit back and let your Sunshine Subconscious take control.

Sunshine Subconscious plays at the Triple Door Musicquarium on Tuesday, February, 10th, at 8PM

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Krautrock transmissions from the Lo-fi tonight

Jaki Liebezeit, the drummer for the seminal Krautrock band Can, had an epiphany; he was confronted by a mysterious person in the late 60's who told him "YOU MUST PLAY MONOTONOUS." Jaki could have easily passed off the comment with total disregard, but there was something about the wide-eyed nature of this mysterious person that seemed to suggest something alien and perhaps knowledge of worlds beyond our own. And so Jaki took heed and began playing monotonous and consequently changed and effected the way we approach pop and odd music ever since.

The fact that a moment so fleeting and seemingly inconsequential could have such a resounding effect on the future of music seems magical at best. Could aliens really have informed the Germans about this musical zeitgeist? ...Now I'm imagining a planet where the national anthem is a motorik beat that plays for half an hour...

Meanwhile, back on earth we're sending those signals back out to space in hopes that the mothership returns to bring us bountiful gifts of synthesizers that oscillate emotions and guitars that feedback into eternity. Tonight there is a live transmission from The LO-FI with cosmic kraut conductors, Red Martian (who on any other day could be the house band for Creation Records), Terminal Fuzz Terror (Amon Duul disciples), Bites, and more... All paying homage to the greatest musical genre the west has ever known. Lift off starts at 8pm


The Josephine closes it's doors

It's sad day for the underground. Seminal DIY space and home to outsider music of Seattle, The Josephine, has ceased operations. The house/venue had recently come under scrutiny by the city, who were tipped off about the venue through a local noise complaint. Members of the house have not been kicked out yet and will continue to live out the lease, but all sounds are silent.

Let's take a minute to pay our repects to DIY spaces across the world; without them the Deli would be a lonely place.

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Tacocat and The Young Evils open for some guy tonight

There's a big hoopla going on tonight: some guy from SF is in town and he brought his face paint and we're all excited to see how the sweat washes it away. But there's more than that... at the very same event there's an evil lurking and a cat with a penchant for Mexican food, and that sounds very enticing.

The evil I speak of is The Young Evils, Seattle's bittersweet rock-popsters. If The Cars spun out on the Vaselines and consequently drove straight into Wreckless Eric, The Young Evils would be on the sideline documenting it all to sell it to the tabloids later, and oh how they would revel in the drama!

The name Tacocat pretty much sums up the band. Some of their songs are about cats; some are about tacos, some just about being person in a world. While tacos explain themselves, and we deal with being a person everyday, cats are a much more complex subject.  What exactly is a cat thinking? Does it want peace and harmony; dissent and chaos, or simply a warm laptop to sits on? Does the modern cat express empathy or is the cute cuddly persona merely a facade to cover up the deviant sociopath that lies underneath? Hear Tacocat's sentiments on the subject tonight.

The Young Evils open for Tacocat, who open for Ty Segall tonight at Neptune, 7PM, FREE

 

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