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Peanut Butter Wolf Delights Poolside at the Line Hotel


A lazy summer heat beat down on the Line Hotel’s outdoor pool as mass of laissez-faire humanity lounged around the oasis like bespectacled sun lizards. Local musicians, instagram-obsessed 20-somethings, and tattooed Californian bros all assembled to absorb the easygoing aesthetic, as well as the brilliantly curated music of music legend, Peanut Butter Wolf.


Kicking off a music-focused Summer pool party series, The Line Hotel pulled off a coup in getting Chris Manak aka Peanut Butter Wolf to appear in such a casual and understated setting. PBW is producer/ DJ and founder of Stones Throw Records, one of the most successful and influential indie labels of all time. Yet there he stood, pulling vinyl out of crates behind a poolside DJ setup, largely ignored by the oblivious bathing suit-clad day drinkers. A gaggle of hip-hop heads and inspired bikini girls floated around the DJ booth as PBW dropped audio jewels on his decks.


Time evaporated as the sunset of the evening’s pool party began to avail itself.  Peanut Butter Wolf continued to paint the ambience with deep hip-hop cuts and danceable rhythms. A quintessential Austin afternoon that ebbed away beautifully and helped frame what a casual Sunday pool party should look like.



Band name: 
Caleb De Casper
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Indoor Creature Shines with Funky Show at Cheer Up Charlies

 If you live in Austin, you’ve likely seen Indoor Creature stickers around town. Their show provides more than just a sound, but also a warm camaraderie to associate with the band. The show at Cheer Up Charlies on Saturday highlighted their EP release, Both Sides. The venue was packed with their friends and supporters. There was a total of 5 bands playing that evening, and between sets all the band members were socializing and smiling. Cheer Ups felt more like a hometown house party where everybody knows everybody, and everybody is relieved it's finally summertime in Austin. The band chose a great weekend for their release; due to UT’s graduation everyone and their mom was out to celebrate.

Spotify categorizes this Austin-born band as ‘pop,’ but I’d describe their sound as refined chillwave with creamy vocals and sophisticated melodies featuring an array of instruments. You can lose yourself in the groove. And the bongos.


A saxophone also appears during the set that really ties the funkiness together. Listen to “Paradox” at 2:00 to hear the sensuous brass.


I lost consciousness during their second song of the show, Ode to Boone. It might have been the day drinking, the oversugary watermelon vodka, or the bassline penetrating my soul, but regardless I passed out for 6-8 seconds. I’m glad I didn’t miss too much of this playful, truly fantastic story of a song. The chorus goes: He’s not a puppy anymore, he’s a middle-aged dog, he’s a grown-ass man, now.


Indoor Creature is comprised of 4 talented musicians who aren’t afraid to experiment with sound, image, and ideas evidenced by their poetic lyrics. They’re bridging genres and co-creating a new vibe for those coming of age in Austin. Get a taste of their dynamic in their music video for “Dreams or Whatever,” an EP they released in 2018, OR catch them at their next show at Electric Church on June 1st.


-Melissa Green


Dead Meadow and Sailor Poon Slay at the Barracuda

  Barracuda has a rugged dive bar charm that emanates an air of volatility that spills into the surrounding streets. The bars in close proximity are still holding their rugged charm and the graffiti on the Barracuda's bathroom walls and wood paneled walls is a far cry from modern. The lineup for Tuesday night's Barracuda show would be a hard rocking triumvirate of Sailor Poon, Saint Pe, and Dead Meadow.

Before Sailor Poon went on as the first opener, someone asked me “Do you ever headbang during a sound check?”. This is the perfect statement to summarize the kind of show Sailor Poon put on. Cheraya the drummer has a pink fuzzy drum set, and when Billie the vocalist and Saxophone player brought out her Sax there was red lipstick stained on the reed. Sailor Poon used a variety of vocal sounds during their set. Screams, maniacal laughs, hysteric laughs, wailing. Spooky, bone collecting, scream queens. Sailor Poon even asked for the lights the be dimmed to a spooky red to raise the spook factor. The performance was theatrical with the vocalists dancing, and facial expressions. A totally engaging show. Billie switching from saxophone to vocals effortlessly. A mix of heavy metal sludge sounds where the music makes you slowly start head banging faster and faster then transitioning to the fast thrashy punk that makes you want to smash around. I think the audience from the Leftover Crack show would of done very well at a Sailor Poon show. Lots of moshing. The reverb of the vocals give an ethereal sound at times too.

Following Sailor Poon was Saint Pe. Ian Saint Pe, a singer from the Black Lips, started Saint Pe. Although the Black Lips are a very established band I felt that Saint Pe was trying to still find their sound as a band. There was ambivalence from the crowd. Some people stayed for a song or two then went to smoke and nobody was up front and center at the stage. Most hung in the back at a cautious distance. Vocals were difficult to hear, and it proved difficult to get into the band's vibe.


When it was time for Dead Meadows set, there was a total influx of people into the crowd. The venue shifted from a spacious atmosphere to being packed with sporadic clouds of smoke occasionally arising from the newly formed crowd. Before the show I reached out the a member from The Black Angels and asked what he thought about Dead Meadow. “They’re consistently a badass band” is what he said, and the crowds response supported that. Naturally of course, there was the guy with dreads and a dirty shirt dancing around in circles in the back. Dead Meadow gives people who weren’t alive for the birth of psychedelic rock, a band to jam to. Incorporating the extended guitar solos, “wahs “wahs”, and feedback that are staple elements to psychedelic rock. Between songs the crowd would hoot and holler “Dead Meadow!” “Hell yeah!”. People were swaying and singing along, heavy crowd engagement.

-Hillary Harris



Carrie Fussell Embraces Freak Folk at the Volstead


Carrie Fussell performed a solo set at the Volstead this past weekend, and as an active songwriter in the Austin music scene, she is a fantastic example of an authentic Austin artist. Carrie plays solo sets and you can also hear her performing with her other band, Calliope Musicals. A love of creativity and music radiates from her in an effusive manner. Her songs are honest and her presence is as genuine as it gets. Her album, Songs By A Bear, on Spotify, is the juiciest album I’ve listened to all year even though she put it out in 2017.


She appeared as a pixie in a black leotard with green bangs and smiling eyes, with a voice and vulnerability destined to ground listeners to the present. Her songs are playful, inspirational and are sung just as  gracefully as they are unraveled sensationally. Her sound is so pleasantly arresting that passerbys are frozen in their tracks after having heard her sirenic prose.


Kitty of the year” is dedicated to her kitty who died. Her angel voice, the syncopated chorus, and the relatable nature of the song make this an easy favorite. Carrie is a one woman show,  singing all the songs, playing all the music, expertly looping her vocals creating the effect of a choir backing her.


-Melissa Green 


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